Tuesday, 31 January 2012

Matt Posner kindly interviews yours truly

A very nice man, that Matt Posner!



See his interview of Ruby here.

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Friday, 27 January 2012

New cover design for Peril by Ruby Barnes

For a number of reasons I'm changing the front cover of Peril.


My designer has come up with six variants. These are just drafts. If you have a minute then please take a look and let me know which you prefer, A through F.

Cheers,
Ruby



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Saturday, 14 January 2012

To POD or not to POD? That is the question

Print on Demand is POD. It means that booksellers don't have to hold stock of a book. They simply place an order in the system and the book gets printed and delivered in a few days.

POD is a cost-effective route to market for independent authors. The book cover and blurb can be put together for a minimal cost and the author then sets things up with one of the numerous POD outfits.

So far I have two thrillers out as indie ebooks and I managed to shift 17,000 copies in 2011 (many of which were free) but I've been stumbling over the POD approach. Points that go through my mind are as follows:
  • will an agent / publisher still talk to an author about a book that is out as indie POD? There's evidence that they do talk to and take on authors that have titles out as indie ebooks, but POD? Do I want to talk to a mainstream publisher anyway? (See The Breakthrough on multi-story.co.uk !)
  • the POD / vanity argument. I don't feel the perceived stigma attached to indie ebooks is the same as self-published print. Is POD not vanity because there aren't three thousand printed copies in boxes in a garage? Surely POD can be vanity. I figure indie ebooks and POD can be vanity if the product isn't up to a publishable standard, but who's going to be the judge of that? Readers, I guess.
  • I do get some readers asking me for print versions of my books but I'm not interested in physically going around marketing a print version. Our Kilkenny writers' group did that with an anthology and it was hard work with numerous readings and visits to bookshops throughout the South East of Ireland by the team of twenty-two authors. All the books were sold but profit was small. I have a social networking platform so I would use that for the job if I went POD.
So, thanks for listening. POD here we come. Or not. What do you think?


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Monday, 9 January 2012

Ger Mayes - the early days before Peril

This short story is based upon true life events. Thanks for reading.
Vendetta
The letting agent arranged a joint viewing of the canal-side property at five o’clock on a Monday afternoon in April.
Take the turn off the Preston Brook main street just after the canal bridge. Then drive down the gravel road, past the derelict rope works. 1 Canalside is the first semi-detached house on the left. The building is in good repair but unfurnished.


I parked a good way up the gravel road, which was more of a path, and approached on foot. A black Volkswagen Golf with darkened windows was in the driveway, a dark shadow of a figure just visible in the driver’s seat.
The first few steps on Canalside put me in a relaxed mood. Birds chirped in a small gated apple orchard that banked the canal. A deep-throated mechanical rhythm came from the mouth of the canal tunnel, just visible beyond Canalside’s seven houses. It increased in volume as the prow of a canal barge emerged from the tunnel, its rope fenders clustered around the long, low steel hull. Foot after foot of red painted steel emerged, a man at the tiller easing off the throttle as the stern cleared the tunnel mouth. He saw me up above the orchard and waved. I returned.
‘Mr Mayes?’ a voice greeted me from behind.
I turned to the speaker and extended a hand. The appearance of the female letting agent escapes my recollection, as does her name. By comparison, the woman who then stepped out of the black Golf, and smoothed her leather skirt, is burnt into my memory.
‘Mr Mayes, this is Ms Doyle. As I explained on the phone, Ms Doyle has first refusal on 1 Canalside as her enquiry was received before yours. On that understanding, and to save time, we’ve agreed to view the property together. Okay?’
We both nodded and Ms Doyle extended her hand to me.
‘Fay,’ she said.
Her hand was cool and wiry.
‘Ger,’ I returned, and let her have the look. What I received back was a once-over that didn’t end until Fay released my hand. First impressions? She was my age or slightly older, perhaps early thirties. Tall, maybe five-seven. Dark, like a gypsy. Unsavoury, like a biker, yet thrilling. Straight away I knew that 1 Canalside was my Hotel California. This could be heaven or this could be hell.

Saturday, 7 January 2012

The Breakthrough

This story, The Breakthrough on the new Multi-Story short fiction website, is reproduced with permission from the Autumn 2011 issue of The Author (the quarterly journal of the Society of Authors).

It made me groan. As an independent author I continually have at the back of my mind that I should resubmit my novels to agents and publishers in order to try and become mainstream. When I read stuff like this article it pulls a veil down over that nagging doubt. Is mainstream publishing just kudos these days? Is it any more than validation?





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