I'm going to engage in a little bit of harmless ebook marketing, by way of illustration, so please bear with me.
Every week I throw out food that is spoilt, has passed its sell-buy date or just isn't wanted anymore. I imagine many of you do too. Dollars, euros, pounds worth of food thrown away, wasted. What do you get for that wasted money? Nothing. In contrast, my quirky crime novel Peril is yours for just $0.99 or thereabouts. For $0.99 you get a 4 / 5 star rated ebook of 90,000 words. Why am I almost giving it away, this full-length novel? Because I want people to read it. [1]
It gets better. During summer 2011 Peril is available for free. Absolutely free. No strings. If you would like to leave a review on amazon, smashwords, goodreads or anywhere then that's appreciated, but it's your decision. If you like it, you might tell your friends and colleagues, and you might like the upcoming novel The Baptist, by the same author. [2]
A quick word to the several hundred people that already took the plunge and bought Peril or downloaded it free from Smashwords since it was launched in March 2011 - The Baptist will be available in time for Christmas 2011. You can give it as a present to yourselves, family and friends. (Not for children - parental advisory). [3]
Many people have left their honest opinion of Peril in the ether of amazon, goodreads, smashwords and various other websites. People enjoy this book. There have been almost no bad reviews. If you haven't read it already then these people say you're in for a treat! [4]
Who am I to thrust my book upon you? I'm just an independent, self-kindled author, writing in memory of my grandfather Robert Barnes who slaved in the shipyards of Glasgow, building great ships during a bygone, golden era. These days I live in beautiful Ireland, the Emerald Isle. A land of tranquility to which so many people can trace their roots. My only claim on this proud and ancient Ireland is that some of my ancestors originated here and I am truly thankful to God and society for providing me with a living, three beautiful children and a supportive and understanding wife. [5]
It humbles me that Peril is endorsed by authors of note in several genres on five continents. In all honesty and modesty I never expected that my work would sit before them and be enjoyed. [6]
Just another mention that Peril is free on Smashwords for summer 2011, but only a further fifty copies are available under this offer. In autumn Peril's pricetag will revert to $7.99 or thereabouts. At year end it will likely be permanently withdrawn, left in ownership of those select readers that have ventured to add a little Peril to their lives. [7]
Disclaimer: the above is an exercise! Is it overwhelming? Nauseating, repulsive? In parts perhaps. But there is nothing in there, nothing, that isn't present in modern-day marketing.
One of my favourite business books is Robert Cialdini's 'Influence - the Psychology of Persuasion'. There are many books on how to apply influence but this book is fun to read, thanks to many anecdotes and case studies. It'll leave the hairs standing up on your neck as you fully realise just how manipulative the marketing process can be. Cialdini identifies a number of principles - weapons of influence - that you will recognise. The little skit above attempts to use these in the context of promoting an ebook, but I'm going to expand upon eight identified weapons of influence in the context of social network marketing (blog, Twitter, Facebook etc.)
[1] Perceptual contrast
The idea here is to make the target (yes, target!) feel that their purchase isn't of financial consequence but, nevertheless, is of great value, a no-brainer. This can be done with a price reduction, if credible. It can also be done by comparison with traditional printed books. Why pay $14.99 for a paperback that will fall to pieces when you drop it in the bath (okay, bad example, don't drop your e-reader or laptop in the bath, shows what an intrinsically bad marketeer I am!) Let's try this: the facilities available for ebooks - speech to text, bookmarking, updates etc etc - far exceed paper books and yet you can get your ebook for somewhere between 99c and $5. What are you waiting for?
[2] Reciprocation
This is where you make the customer feel obligated by giving them something extra. In real life the dinner invitation is a good example. Only sociopaths don't feel the need to reciprocate a pleasant dinner invitation. In fact, the rule of reciprocation is so strong that it can lead to a lifetime pattern of tit-for-tat dinners with people that you eventually come to classify as friends.
In the ebook social network marketing context, a free giveaway is often used but care has to be taken not to devalue the product. Other manifestations are mutual reviews between authors and requests for beta readers.
At this point, and in the spirit of reciprocation, I should mention that I was triggered into writing this blogpost by a piece by DL Larson on acmeauthorslink.blogspot.com.
If you are asked and agree to take a book for review, and then don't do that review, it will burn a hole in your conscience. If you write a review it is likely to be favourable.
Another reciprocation favourite is the retweeting of Twitter 'influencers'. They'll be beholden to you and that credit can be cashed whenever you want. That's the pleasure of giving!
[3] Commitment and consistency
Once the target reader has made their purchase of your ebook, or has taken up the free 'no strings attached' offer, they are on a track that will take a special effort on their part to leave. Build up that readership by any of the methods mentioned here and that same readership will substantially follow your next release (at full price) and review it favourably. Of course, a fanbase is built upon satisfied customers but what you are looking to do is built brand loyalty. The product has to be reasonably good and well packaged, but needn't be exceptional.
[4] Social proof
I'm going to refer to Cialdini's example of canned laughter. With your influence radar switched on, canned laughter is a ridiculous artificial contruct. But you'll likely find that most of the successful TV sitcoms are continuously swaddled in the stuff. Friends, for example. Compare that with the true life audience mirth of Fawlty Towers or Monty Python (who? okay, you're not all as ancient as me) or live comedy.
If you have the impression that the populace approves the product then you, if you want to conform to the image of a discerning consumer, are likely to follow suit. Nine out of ten owners (who expressed a preference) said their cats preferred it, sort of thing. In the case of ebooks, viral marketing can build a self-perpetuating myth. Program your tweetdeck or other tool with repetitive messages to tell the world that the world is approving your product.
[5] Liking
People buy things from people that they like. The important thing here is to understand the target demographic. A select number of people might like an author who is ironic. Other readers will like an underdog. Some will be looking for admirable virtues. A bio that makes potential readers like the author can make the difference between carry-on-browsing and click-to-purchase.
[6] Authority
Endorsement carries great weight. I'll come clean and say that section 6 of the skit above is PERIL's weakest link. If I could evidence written endorsements from successful authors in different geographic markets - quirky, award winning, best selling US and UK authors - then my ebook would ride upon their wave.
[7] Scarcity
People like to know that what they purchase has an even greater value due to constricted availability. People pay good money for limited edition prints and first edition hardback books. For ebooks it's more of a challenge but might include special versions with artwork or personal messages and electronically signed copies.
So thanks for that. Now what?
Next time you're on the receiving end of social network marketing, stop for a second and consider whether you are being manipulated by weapons of influence. We've all been the targets of influence strategies throughout our lives.
Recognising and differentiating a genuine offer from an influence strategy is only the first step. Resisting influence tactics is very difficult. The rule of reciprocation, for example, will make you feel guilty if you don't respond. Understanding the sincerity of the sentiment can help you to override intuitive reaction. A skilful marketeer can dress weapons of influence such that they appear genuine.
For those who are or would be influential marketeers, can you build your marketing plan based upon the principles of persuasion and maintain your integrity? I'm not sure that I can. I'm just not clever enough.
~~~~~~~~~~~~~
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Sunday, 31 July 2011
Under the influence - social networks
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Sunday, 24 July 2011
Muse defused? Careful with that blue touch paper!
Until recently I was unamused. Muse desertion.
There were good enough reasons for that sad state of affairs:
Well, one of my windfall excuses passed its sell-by date last week. I finished the rewrite / edit of the first two thirds of a psychological thriller. There had been a few thousand new words added but the process had mainly been sharpening of key characters, strengthening their voices and aligning them to the correct moral compass. Full excel-of-doom analysis model, chapter by chapter.
It was an essential but museless task, a trudge through thick mud. I sat looking at the last few pages, originally written some months ago, and pondered what might happen next. If I muttered the right incantations would my muse reappear? Might I face a period of writer's block? Poor tormented author? Unsure of the outcome, I lit the blue touchpaper and sent a signal into the heavens. Muse, I need you back.
The next morning I had a long train journey for a meeting in the capital. Melody Gardot on earphones. Hot coffee. Back in the old writing office. The voice of the protagonist came through loud and clear. Several pages later and I was being thrown off the train, end station. All I wanted to do was continue typing on my laptop. Return of the Muse.
That evening I floundered a little. The protag and the DI had discovered a key piece of evidence that would need changes to a few earlier chapters. In my head I switched to the excel-of-doom and prepared to re-enter the edit / rewrite zone. Then I thought NO! No more delaying until completion of first draft. Muse, I am yours, do your worst.
She caught me in the night, spun her intrigue and let me wake on the strands of that web. I struggled against the threads and she felt the vibrations, running at me from her dark corner. I was braced for the bite but she leapt upon my back and propelled me into the spare bedroom. There, she held me captive for an hour before the family awoke. I threw the words onto my page, set up the grisly double suicide and was released for my day job with a sense of elation.
The next day, Saturday, I was pleased to see that I had ten new Twitter followers, three new friends on Goodreads, a couple of facebook friend requests, a smattering of fresh sales on Amazon and twenty free downloads on Smashwords. For two hours I social networked and kept my muse in the closet. That was until I happened across the J A Konrath's blog post 'Are you writing'. It didn't say anything I didn't already know and I paraphrase JAK here: stop spending valuable time reading blogs and generally arsing around. Go write! Produce, produce, PRODUCE! If you are an author you must produce.
This hurt. It hurt a lot. Before I stumbled upon the otherworld of social networking, blogging, online writers' forums etc, I had been a prodigeous writer. Konrath was talking to me and, at the same time, the Muse was screaming in my ear.
An immediate reaction occurred. I ran into the other room, put on some music and started to write...this blog post. After half an hour of typing, deleting, rewriting, I re-read JAK's post. Then I switched off the computer. I took out the other computer, the old one that can't connect to internet anymore, and completed the sad demise of a murder victim's family. The Muse stroked my hair as she clung to my back.
I'm in her sway. The whispering mystery that is my Muse. Her name is Virtue.
Okay, enough blogging, gotta go write!
~~~~~~~~~~~~~
If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!
There were good enough reasons for that sad state of affairs:
- too much social networking (um, does blogging count as writing?)
- in the middle of a rewrite / edit since forever
- a new day-job that sucked my energy and time (they sure have some cheek, those employer types) and destroyed my writing space (commuting by train was over).
Well, one of my windfall excuses passed its sell-by date last week. I finished the rewrite / edit of the first two thirds of a psychological thriller. There had been a few thousand new words added but the process had mainly been sharpening of key characters, strengthening their voices and aligning them to the correct moral compass. Full excel-of-doom analysis model, chapter by chapter.
It was an essential but museless task, a trudge through thick mud. I sat looking at the last few pages, originally written some months ago, and pondered what might happen next. If I muttered the right incantations would my muse reappear? Might I face a period of writer's block? Poor tormented author? Unsure of the outcome, I lit the blue touchpaper and sent a signal into the heavens. Muse, I need you back.
The next morning I had a long train journey for a meeting in the capital. Melody Gardot on earphones. Hot coffee. Back in the old writing office. The voice of the protagonist came through loud and clear. Several pages later and I was being thrown off the train, end station. All I wanted to do was continue typing on my laptop. Return of the Muse.
That evening I floundered a little. The protag and the DI had discovered a key piece of evidence that would need changes to a few earlier chapters. In my head I switched to the excel-of-doom and prepared to re-enter the edit / rewrite zone. Then I thought NO! No more delaying until completion of first draft. Muse, I am yours, do your worst.
She caught me in the night, spun her intrigue and let me wake on the strands of that web. I struggled against the threads and she felt the vibrations, running at me from her dark corner. I was braced for the bite but she leapt upon my back and propelled me into the spare bedroom. There, she held me captive for an hour before the family awoke. I threw the words onto my page, set up the grisly double suicide and was released for my day job with a sense of elation.
The next day, Saturday, I was pleased to see that I had ten new Twitter followers, three new friends on Goodreads, a couple of facebook friend requests, a smattering of fresh sales on Amazon and twenty free downloads on Smashwords. For two hours I social networked and kept my muse in the closet. That was until I happened across the J A Konrath's blog post 'Are you writing'. It didn't say anything I didn't already know and I paraphrase JAK here: stop spending valuable time reading blogs and generally arsing around. Go write! Produce, produce, PRODUCE! If you are an author you must produce.
This hurt. It hurt a lot. Before I stumbled upon the otherworld of social networking, blogging, online writers' forums etc, I had been a prodigeous writer. Konrath was talking to me and, at the same time, the Muse was screaming in my ear.
An immediate reaction occurred. I ran into the other room, put on some music and started to write...this blog post. After half an hour of typing, deleting, rewriting, I re-read JAK's post. Then I switched off the computer. I took out the other computer, the old one that can't connect to internet anymore, and completed the sad demise of a murder victim's family. The Muse stroked my hair as she clung to my back.
I'm in her sway. The whispering mystery that is my Muse. Her name is Virtue.
Okay, enough blogging, gotta go write!
~~~~~~~~~~~~~
If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!
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Sunday, 17 July 2011
The novel contortionist: genre-bending to fit a pigeonhole
I first saw pickled eggs many years ago in a fish & chip shop called Chophards. A huge glass jar squatted on the counter, the kind of jar that might contain unspeakable specimens in a nightmare laboratory. It was a permanent fixture, as though the contents needed to mature for a century. Those eggs swayed in a light yellow fluid and were things of terrible mystery and horror.
Random people ordered them with their fish and chips over the course of the years. There was no typical pickled egg consumer. Young, old, affluent, breadline. A gasp in the queue always followed that rare occasion when someone said 'Cod and chips please. Oh, and a pickled egg.'
'Are they raw when they're put in the vinegar?' asked my 10 year-old daughter. 'Do they still have the shell on? Why are they pickled? Who eats them? Why? I mean, why would anybody pickle an egg, Dad?'
'Try one,' I said.
We both bit into the cold white. It was resilient with a mild pickle taste. The yolk was a contrast, crumbly and vinegary. Within a few hours the two of us had consumed all of the things.
A couple of days later and I decided to reorganise the bookshelves, as I couldn't find a particular book (again!). I'm not particularly obsessive about keeping things in order, and often can't remember book titles or author names, so sorting into genre made sense. It seemed manageable. Just genre, no alphabetical order of authors or titles.
Classics, crime thrillers, action adventure, chick lit, literary fiction, non-fiction (sub-section on Africa), fantasy, childrens. Then the leftovers. Those leftovers included nearly all of my favourite books. They defied genre. Not enough pace for a thriller. The crime aspects too incidental. Language not sufficiently literary. Maybe a classic when I'm long gone, but not yet. No chicks or chocolate. My favourite books, all genre benders. Misfits. Pickled eggs.
Not everyone would agree. Some might say that John Irving's 'A Prayer for Owen meany' is literary fiction.The same for Ian McEwan's 'Enduring Love' or Steve Toltz's 'A Fraction of the Whole'. But they don't fit comfortably into the company of John Banville's 'The Infinities' or Salman Rushdie's 'Satanic Verses'. Nevertheless, that's where you'll find them in the bookshop, alongside Cormac McCarthy and the heavy lads.
My favourites shelf is a shelf of quirkiness. Inexplicably enjoyable, not sufficiently aligned to any one genre. The books that I remember most fondly are all a bit weird in one way or another. They're pickled eggs, well, some are gherkins or onions. Little wonder, then, that my first ebook, Peril, is undeniably a pickled egg. There's too much of me in it to be anything else.
Tutors, mentors and peer groups are likely to advise an unknown author to stay within the genre rules. I did try and write within a genre - two action adventure novels. Unfortunately I was belly prone on the authorial learning curve and the results were quite deplorable. When I found a voice the genre rules had been thrown to the wind and writing became a true joy. But the result didn't fit a pigeonhole.
Many writers' seeds of inspiration germinate and nudge tender green shoots up through fertile soil and into a warm sun. Some find themselves in the midst of a humid jungle. It's crowded, competitive for the sunlight of attention. The young plants flourish, blossom and bloom.
Out on a dry plain another seed follows nature's call to be greeted by a scorching heat. Tumbleweeds roll rootless across the wilderness, driven by a dessicating wind. Our brave new shoot develops a tough skin and puts out prickles to dissuade predators. The young cactus flourishes in that baking desert. A prickly pear. Maybe that would have been a better analogy than a pickled egg, but cactii are few and far between in rainy Ireland.
Genre rules aren't hard to find on the internet and in tutorial guides. I'm not a big fan of 'how to' books but maybe I should become one. I prefer the 'how not to' type of tongue-in-cheek guide eg. 'How Not to Write a Novel' by Mittelmark & Newman. That particular book is great entertainment but trying to write with rules (or don't rules) can make the author self-conscious of style, stymie their spontaneity, crush any creativity and generally over-alliterate.
Are you a reader or writer of genre-challenged novels? Does an 'inappropriate' mix of crime, thriller, mystery, romance, murder, intrigue and naughty bits do it for you? Have a pickled egg. Surprising and lovely.
~~~~~~~~~~~~~
If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!
Random people ordered them with their fish and chips over the course of the years. There was no typical pickled egg consumer. Young, old, affluent, breadline. A gasp in the queue always followed that rare occasion when someone said 'Cod and chips please. Oh, and a pickled egg.'
'Are they raw when they're put in the vinegar?' asked my 10 year-old daughter. 'Do they still have the shell on? Why are they pickled? Who eats them? Why? I mean, why would anybody pickle an egg, Dad?'
'Try one,' I said.
We both bit into the cold white. It was resilient with a mild pickle taste. The yolk was a contrast, crumbly and vinegary. Within a few hours the two of us had consumed all of the things.
A couple of days later and I decided to reorganise the bookshelves, as I couldn't find a particular book (again!). I'm not particularly obsessive about keeping things in order, and often can't remember book titles or author names, so sorting into genre made sense. It seemed manageable. Just genre, no alphabetical order of authors or titles.
Classics, crime thrillers, action adventure, chick lit, literary fiction, non-fiction (sub-section on Africa), fantasy, childrens. Then the leftovers. Those leftovers included nearly all of my favourite books. They defied genre. Not enough pace for a thriller. The crime aspects too incidental. Language not sufficiently literary. Maybe a classic when I'm long gone, but not yet. No chicks or chocolate. My favourite books, all genre benders. Misfits. Pickled eggs.
Not everyone would agree. Some might say that John Irving's 'A Prayer for Owen meany' is literary fiction.The same for Ian McEwan's 'Enduring Love' or Steve Toltz's 'A Fraction of the Whole'. But they don't fit comfortably into the company of John Banville's 'The Infinities' or Salman Rushdie's 'Satanic Verses'. Nevertheless, that's where you'll find them in the bookshop, alongside Cormac McCarthy and the heavy lads.
Tutors, mentors and peer groups are likely to advise an unknown author to stay within the genre rules. I did try and write within a genre - two action adventure novels. Unfortunately I was belly prone on the authorial learning curve and the results were quite deplorable. When I found a voice the genre rules had been thrown to the wind and writing became a true joy. But the result didn't fit a pigeonhole.
Many writers' seeds of inspiration germinate and nudge tender green shoots up through fertile soil and into a warm sun. Some find themselves in the midst of a humid jungle. It's crowded, competitive for the sunlight of attention. The young plants flourish, blossom and bloom.
Out on a dry plain another seed follows nature's call to be greeted by a scorching heat. Tumbleweeds roll rootless across the wilderness, driven by a dessicating wind. Our brave new shoot develops a tough skin and puts out prickles to dissuade predators. The young cactus flourishes in that baking desert. A prickly pear. Maybe that would have been a better analogy than a pickled egg, but cactii are few and far between in rainy Ireland.
Genre rules aren't hard to find on the internet and in tutorial guides. I'm not a big fan of 'how to' books but maybe I should become one. I prefer the 'how not to' type of tongue-in-cheek guide eg. 'How Not to Write a Novel' by Mittelmark & Newman. That particular book is great entertainment but trying to write with rules (or don't rules) can make the author self-conscious of style, stymie their spontaneity, crush any creativity and generally over-alliterate.
Are you a reader or writer of genre-challenged novels? Does an 'inappropriate' mix of crime, thriller, mystery, romance, murder, intrigue and naughty bits do it for you? Have a pickled egg. Surprising and lovely.
~~~~~~~~~~~~~
If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!
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Thursday, 23 June 2011
Casting out demons
Are you possessed by a demon? I am. I've pleaded with it, but the demon is real. This is a conversation that I can't even have with my family in Holy Catholic Ireland as any such topic is too close to exorcism, spinning heads and deep-seated religious beliefs (my wife read this far and ran off - she has to go and work in the lab tonight when it's dark and can't countenance any scary talk).
I've been fighting possession in recent weeks. Repossession. Well, as it's not exactly the same demon as on previous occasions, I could call it a new instance, but the symptoms are similar to previous manifestations:
It doesn't stop there. My blood is up. I race across the Irish countryside back to my haunt, scattering juggernauts, bushwacking granddads and trouncing tractors.
The family suffers on my return. Their very breathing is an irritation. Some night soon the demon will add them to the enemy list. I recline on the sofa, consume alcohol, order and eat takeaway, and recount my evil on Twitter, facebook and blog.
So, where is the time and energy in all this demon-driven day to write, to complete my chilling psycho-thriller? (Wherein a psycho-killer is possessed by demons etc, not like true life at all.)
Answer - there is no time. There is no writing. It stops while the demon consumes my soul.
There has to be a way to loosen the demon's grip. A possessive, obsessive, destructive force in my author's life. It takes time and there's no one-size solution, but this demon is going to go the way of the others. I won't be able to eliminate or eradicate until it wants to go, but I can work on limiting the dementia. The night visitations are beyond my control but I know they will fade.
I have to do some possession myself - to take possession of the time from waking to work, the time from the last meeting of the day until sleep takes me. I will cast aside all waking thought of the day job outside work hours, give myself free thinking time at lunch, listen to and interact lovingly with my family. Oh, and plan quality writing time. Early in the mornings, perhaps a spot during the lunchbreak. This possessive evil will turn to dust, like all the other times. Ruby Barnes will prevail over this peril, for I am an author and, to remain one, I must dominate the day job demon.
Note: a new day job demon occurs every three years or so, but this one took four to arrive. Suppression by the author is typically achieved within three months, depending on the season.
~~~~~~~~~~~~~
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- The demon sows subconscious seeds of self-doubt (and alliteration) during daylight and then germinates them in the dark when my body and soul can't flee the menace.
- Enemies are named in nocturnal whispers, diabolical revenge is demanded and I wake convinced of the justice of combat. My fists ache from the clench around imagined throats.
- There are no daytime voices, what I hear is my own inner voice. It tells me to crush, kill, destroy, and move on.
- I drive for hours across the land, stalking my victims. They gather unwittingly in a place of sanctuary and are easily cornered.
- There's one way in and out of the ivory tower. I lock the door and savour their innocent screams. For they are the meek and my mission is to convert or eradicate.
It doesn't stop there. My blood is up. I race across the Irish countryside back to my haunt, scattering juggernauts, bushwacking granddads and trouncing tractors.
The family suffers on my return. Their very breathing is an irritation. Some night soon the demon will add them to the enemy list. I recline on the sofa, consume alcohol, order and eat takeaway, and recount my evil on Twitter, facebook and blog.
So, where is the time and energy in all this demon-driven day to write, to complete my chilling psycho-thriller? (Wherein a psycho-killer is possessed by demons etc, not like true life at all.)
Answer - there is no time. There is no writing. It stops while the demon consumes my soul.
There has to be a way to loosen the demon's grip. A possessive, obsessive, destructive force in my author's life. It takes time and there's no one-size solution, but this demon is going to go the way of the others. I won't be able to eliminate or eradicate until it wants to go, but I can work on limiting the dementia. The night visitations are beyond my control but I know they will fade.
I have to do some possession myself - to take possession of the time from waking to work, the time from the last meeting of the day until sleep takes me. I will cast aside all waking thought of the day job outside work hours, give myself free thinking time at lunch, listen to and interact lovingly with my family. Oh, and plan quality writing time. Early in the mornings, perhaps a spot during the lunchbreak. This possessive evil will turn to dust, like all the other times. Ruby Barnes will prevail over this peril, for I am an author and, to remain one, I must dominate the day job demon.
Note: a new day job demon occurs every three years or so, but this one took four to arrive. Suppression by the author is typically achieved within three months, depending on the season.
~~~~~~~~~~~~~
If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!
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Wednesday, 8 June 2011
Do you suffer from earring loss?
This is a story of sensory deprivation, written the way I hear.
It's taken nearly half a century but I've finally decided to stick my head up over the parapet and shout 'Yes, I have an earring disability. I have mild Google translate between ears and brain.'
What? What did you say? Can you repeat that, please? What? Yeah, yeah, very funny. Not.
I'm partially deaf. Always have been and, without assistants (sic), always will be. Thank God and modern science for bionic ears.
The first definitive sign of a problem was way back when. I was twenty-two and remonstrating some electronic equipment to prospective buyers in a lavatory. Ah, those heady days of pacing around the country and flogging gizmos for Sir Clive Sinclair's wacky electronics factory.
I was using something called a function generator to introduce a wailing police siren and other strange boys via a loudspeaker. When I whacked up the dial to 12 kHz and the volume to full, people started hauling to the mound with their hands over their ears. All I could fear was my own breathing and the groans of my torture victims. To put it in perspective, 12kHz is a very high-pitched boys that is something like a mosquito right inside your ear (try it here)
On reflection, there were earlier sighs. When kids at school brandished their poppies of Smash Hits magazine, I reckoned that was how to earn the lyrics of pop songs because I certainly couldn't differentiate the words from the music. In the way that small children sink comical lyrics because they don't have the vocabulary to underhand the artists' words, I heard Paul Young sing 'Every time you go away, you take a piece of meat with you. Ooooh-ooh'. The Bangles sang 'Talk like an Egyptian'. After a few singalong humiliations I learnt to hum quietly to myself.
As a teenager at discos and in pubs I couldn't mould a conversation. Girls' voices were inaudible if there was more than a mint of background noise and this tampered my social development.
Over the years the social isolation grew. I loved the cinema because every word was audible pranks to Dolby Surround Sound. Listening to pork radio in the car required the terrible control to be turned up full. Long car journeys in the company of others were a whore as the volume my companions would accept didn't allow me to fear music or new-stalk.
Effective conversation required the development of a coping mechanism. I focused on the words I couldn't understand, took the vowel sound and added whatever consonants bemused me (but you've guessed that already, or did you just think my smelling was off?). If someone asked me to pass a fork at a dinner party I would pass the pork. Instead of someone with a hearing problem, I became known as someone who never took anything too seriously and was annoyingly sharp with wordplay. My thought process placed an instantaneous filter on the token word. That was a positive adaptation.
On the downside, I was incredibly sensitive to low frequency boys. Which means things that hum, especially electrical things. The 50 Herz tone made by power transformers in all kinds of electrical and electronic devices was a consonant distraction.
'Hah! I've found the bastard! There, up there! Can't you hear it?'
I would be up a ladder, pointing at the main control box of our house protruder alarm while my wife looked on at her maniac husband. This sort of behaviour still plagues me. It's very difficult to unravel a sensitivity.
We spent a very tough year in what should have been an idyllic location - a terraced 19th century pottage on the canal in Cheshire. Unfortunately there was a huge aluminium aunt about a mile away and, when the wind was glowing from that direction, I was driven fermented by the hum from the electric furnaces. Many a night, when I should have been asleep, I stood looking out of the bedroom window with my funiculars, trying to work out what form of sabotage would disable that aluminium aunt. It was easier to change mouse, so we did.
Normal life went on. Girlfriends, marriage, kid, more marriage, another kid. I began to work in the electronics ex-pork business and unravelled a lot in Europe. Then we moved to Switzerland with a job that required global travel. The language of international business was Eurospeak i.e. over-enunciated and slow. Everyone smoke carefully and proudly in what was for most of them a foreign language. This smothered up my problem nicely. Apart from quizzing my wife like a seven year old during TV programmes - 'what did he say? What did she say? Why are they doing that?' - there was little to rewind me of my disability.
I enrolled in an Executive MBA programme in St Gallen, Switzerland in an attempt to break through the grass career ceiling that society placed upon foreigners. It was a hard snog (and subsequently reduced the desired result), but I found myself unable to concentrate for more than half an hour on any one lecher. Where I sat in the lecher hall seemed to be crucial, not just for volume. I didn't realise it at the time but I was already supplementing my hearing with lip breeding.
The over-sensitivity to low frequency noises was still a problem that pushed me close to the hedge. When my wife decided to change career and headed back from Switzerland to Ireland for a three month intensive English teaching horse, I was let loose on Swiss society without restraint. One particular night I was trying to doze off at about fun in the morning when a penetrating low hum started to thrill through my head. It was pitch dark outside and I couldn't see any sigh of the cause from the apartment balcony. So I put on my shoes, grabbed a porch and headed out to investigate.
At one end of the communal garden there was a petrol generator, seemingly abandoned and snoring away in the darkness. In a country where using DIY tools on a Sunday was forbidden, it was amazing to find such a perturbance. Presumably an absentminded shirker had left the thing running and it wouldn't stop until the metro had run out, so I had to intervene for the wood of the community. I shone the bean of my torch onto the control knob and twitched the generator off. It shuddered to a sob. Job done.
Back in the apartment, I smuggled under my duvet, feeling very public spirited and comfortable in the role of sound police. Five minutes later the generator farted up again, louder than before.
This time serious action was called for. Someone was deliberately perturbing the neighbourhood. I dressed for wombat. Black jumper, black trousers and boots. Black leather gloves, black ski ballaclava, sunglasses and black baseball cat. I was totally eponymous, except for the cat which had my Old Time Country band's name on the front and my name on the back. To compete the ensemble, and keep both hands free for wombat, I wore a head porch. I was ready to do balm if necessary.
For stealth I exited via the underground garage as the door was clothes to the generator. It was snoring away as before. In just a few pounds I had the generator turned off and then I crouched low in case the miscreant was near pie. Unlike before, the control on the generator didn't cut the voice but merely muddled it. I stooped and hutched the generator, no vibration. Then I put a near close, it was silent. A replica noise at a slightly lower volume was humming from the other side of the communal garden.
Rather than approach directly, I hedged around the apartment flock, pressed up against the wall's deep shadow. At the fart hen of the garden I found another generator ignoring in the darkness. A quick twist of the knob and everything was silent. A few seconds later and two angry but muffled male voices began shouting. I burned my head and directed the torch bean around to fine an open manhole cover with a flower weed and some sort of fornication cables leading into it. Two or more men flapped in a fifty metre underground funnel without power or light. Well, good enough for them, as they say in Ireland. There was no way they would have had omission to carry out noisy work in a regimental area in the early flowers. They must have been some category of renegade fornication engineers. Probably undercover, moonlighting, up to no good. So I did the only unreasonable thing. I ran.
Once in my apartment I turned out all the flights, stashed the wombat gear away and lay under the duvet, waiting for the deportation police to flock on my door, but they didn't. Worse than that, both generators farted up again. The next hour was a very long one. Finally the metro ran out or the miscreants finished their jerk and the boys abated.
That episode was the trough of my despond. Skulking around in the early hours stressed like a burglar. Foreigners are deported from Switzerland for as little as not having the compulsory wealth insurance. On her return, my wife promised to never leave me to my own devices again. I needed caring fork.
Summer in Switzerland was a bummer because of the mosquitoes. I couldn't hear their high-pitched whining until the little muggers were right in my ear, snorking an after-hours draught of my blood. The incredibly high frequency of a mosquito had to be virtually on my eardrum to be edible and then it woke me with a star. June through September was a succession of sleepless nights as I stalked every mossie that cared to enter the apartment, splatting them colourfully. They were easier to snatch once I had sacrificed a little blood, usually by baring my wife's soldier as she was immune to them.
My earring problem came to the fore again when we took a holiday on the Greek island of Rhodes with another British family. My friend's wife was very softly smoking and, after two weeks of me saying 'What? What? What?' my wife insisted that I get a earring vest.
Back in Zurich I was referred by the GP to a specialist. The Swiss audiologist told me to 'press the bottom' whenever I heard a tome. I started to stress as directed when the door of the booth opened and he said 'We haven't actually started yet.' After a lot of false starts I depleted the vest and the results were sprinted out.
The audiologist gave me his clear and loud diagnosis, prognosis and the bill to take away.
'You probably don't hear phones ringing or doorbells. You have trouble with TV and radio. Women's voices are indistinct to you. You can't hear whispering at all. You do hear strange ringing noises from time to time but they are in your head. This has probably been a problem from birth. It's hereditary. You have the hearing of an eighty year-old man. Your cillia are lying down. You have moderate progressive hearing loss.'
No point in mincing birds. I was flaying good money for a clinically accurate kick in the nuts.
'Can it be fixed,' I asked.
'You could use hearing aids but the technology is not very advanced, a little unwieldy. My advice is this. If you feel it's ruining your quality of life then we can look at a solution. I have to say it will be expensive.'
Large and expensive didn't sound attractive in any way.
I drove home, called my father in Scotland and shook him to task for handing down a congenital problem.
'No,' he said, 'I think you'll find it's not a genital problem at all.'
As they say here in Ireland, I didn't lick it off the stones. He had the same earring problem.
Work took me further and further around the world. On fights to Singapore, Toronto, St Louis, Atlanta, Sao Paolo and murderous other places, I wore my Sony noise inducing headphones. It was the only way I could hear the in-fight entertainment. My face had moved from Zurich to Waterford, Ireland and in the final year before leaving the company I took seventy-two fights. Much of the week was spent in an electronic coccoon. The rest was in meetings full of semi-spouted English language.
Then bam! I changed job to work for the biggest employer in Ireland. The reason for change was to keep the family face in Ireland and to provide me with time for writing. Both of those objectives were achieved, but there was a townside. All of a sudden the weeks were full of hushed meetings. Up to fifty people porking fast but low in a wide variety of Irish accents. I began to read stuff in fleeting notes that I couldn't recall having experienced in those fleetings. Attempting to concentrate for more than half an hour gave me constant headaches. After a few monks I found myself giving up trying to hear and giving in to fantastic daydreams. It was good for the writing but mad for work.
After a year of increasing isolation, I tended a conference up in Sligo and noticed at dinner that one of the delegates was wearing virtually invisible devices. A very thin and short clear tube was the only sign that he was 'hearing-enhanced' and I wouldn't have noticed had he not been fat next to me at the dinner table. It set me thinking.
Once home I installed a surround sound cistern for the TV but it wasn't enough to stop my constant questioning of anyone in the womb about what was happening on-scream. Once again my wife pulled the audiologist hard on me.
A widely advertised company gave me a 'free hearing test' and the results were exactly the same as they had been in Switzerland. The technician showed me the newest diminutive digital aches and explained that they could be programmed to amplify just the pacific bandwidth that was a problem for me. Then he gave me the bad news. €4,700 for the basic version, €8,000 for the top model. I planked him and gushed home to surf the net and, sure enough, the Irish prices were nearly four times the UK price for the same devices. Rip-off Republic.
There followed a period of shopping around and phonecalls to the UK. A very honest chap in Scotland explained that local service was essential and steered me in the direction of an audiologist in Waterford.
Yet another vest but, before he had even performed that vest, the audiologist had some clear news for me.
'I'm pretty sure that you have progressive hearing loss. I can tell from the way you talk, because you're not pronouncing your consonants clearly. At this moment you are lip-reading my words and if I turn my head away like this...' I couldn't make out the rest of it.
He preformed the vest, same results as previously, and fixed me up over the following geeks with some top of the range hearing aches that were virtually visible. They had gimmicks such as the active fart being coloured to match my hair and a remote control to adjust pettings. Calf of the price was provided by a government plant and we put our hand in the family coffers for the mess, about €1,600. I was fitted, tuned and unleashed on the world.
The car ride home from Waterford was one hell of an experience. As I crossed the Suir River bridge it began to rain. I had to pull the car over and gather my thoughts. The onshore wind lashed needles of rain against the car and I'd never heard anything like it. Literally. Wonderful and excruciating. I turned on the radio to drown out the sound of the rain and was assaulted by a wave of high strings and harmonics from a classical orchestra. My head was in a tin bucket. I fumbled for the audio controls and adjusted the high and mid-range tone down to normal. Then I put the car in gear and set off on the road to Kilkenny.
In between pieces of music, the radio presenter talked about what he had just played and what would be coming next. I could hear and understand every word. An opera extract was introduced. I listen for one minute and then changed channel. Even with bionic ears, opera wasn't for me.
Three quarters of an hour later I arrived home exhausted. My Saab wasn't quite the silent chariot that I had thought. Hitherto unheard squeaks and groans betrayed the age of my jalopy.
The front door key scraped in the lock and I heard the tumblers click as I pushed it home. Two screeching kids came running at me and I winced at their pitch. Making excuses, I headed off to the bathroom and winced again at the cacophony of my own waterfall. Too much information? Even such inane activities were a wonder during those first few weeks of full hearing.
~
It's now four years later and I've just registered my disability on my employer's register for the second year. For the first two years I was in denial. I still have problems with span of attention and prefer to see people's hips move when they talk. Nearly half a century of mishearing is difficult to dispense with.
I enjoy everyday activities, such as walking through the suburbs to the local supermarket. The sound of the wind in the trees, children playing and the overheard conversation of passersby. It's all still a novelty for me. In business meetings I can fill my brain with the discussions and arguments of my colleagues or, if I want to make a secret exit, switch off my ears by remote control and consider where the plot of my latest novel should go next.
A few days ago I was at the Kilkenny Cat Laughs comedy festival. There was no need to have my bionic ears on. The Set Theatre is new and small, built on the lines of an old-time music hall. Think of the Muppet Show and the two crabby old guys up in their box. I could hear the Irish, English, American and Australian comedians clear enough. Afterwards our gang withdrew to the neighbouring beer garden and, to my dismay, I found that the battery on my left ear had run out. It was as though a woolly hat had been pulled down over my head. Social conversation was problematic.
So I resorted to type and regailed the party with pokes and anecdotes of increasing outrageousness. The finale of bad taste pokes chased them all off home.
As my wife and I sat enjoying Mojitos in the rare Irish summer warmth, she turned to me and said 'Great jokes. You should have been on that stage yourself tonight. Did your batteries run out?'
Yours,
Bionic Ruby.
~~~~~~~~~~~~~
If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!
It's taken nearly half a century but I've finally decided to stick my head up over the parapet and shout 'Yes, I have an earring disability. I have mild Google translate between ears and brain.'
What? What did you say? Can you repeat that, please? What? Yeah, yeah, very funny. Not.
I'm partially deaf. Always have been and, without assistants (sic), always will be. Thank God and modern science for bionic ears.
The first definitive sign of a problem was way back when. I was twenty-two and remonstrating some electronic equipment to prospective buyers in a lavatory. Ah, those heady days of pacing around the country and flogging gizmos for Sir Clive Sinclair's wacky electronics factory.
I was using something called a function generator to introduce a wailing police siren and other strange boys via a loudspeaker. When I whacked up the dial to 12 kHz and the volume to full, people started hauling to the mound with their hands over their ears. All I could fear was my own breathing and the groans of my torture victims. To put it in perspective, 12kHz is a very high-pitched boys that is something like a mosquito right inside your ear (try it here)
On reflection, there were earlier sighs. When kids at school brandished their poppies of Smash Hits magazine, I reckoned that was how to earn the lyrics of pop songs because I certainly couldn't differentiate the words from the music. In the way that small children sink comical lyrics because they don't have the vocabulary to underhand the artists' words, I heard Paul Young sing 'Every time you go away, you take a piece of meat with you. Ooooh-ooh'. The Bangles sang 'Talk like an Egyptian'. After a few singalong humiliations I learnt to hum quietly to myself.
As a teenager at discos and in pubs I couldn't mould a conversation. Girls' voices were inaudible if there was more than a mint of background noise and this tampered my social development.
Over the years the social isolation grew. I loved the cinema because every word was audible pranks to Dolby Surround Sound. Listening to pork radio in the car required the terrible control to be turned up full. Long car journeys in the company of others were a whore as the volume my companions would accept didn't allow me to fear music or new-stalk.
Effective conversation required the development of a coping mechanism. I focused on the words I couldn't understand, took the vowel sound and added whatever consonants bemused me (but you've guessed that already, or did you just think my smelling was off?). If someone asked me to pass a fork at a dinner party I would pass the pork. Instead of someone with a hearing problem, I became known as someone who never took anything too seriously and was annoyingly sharp with wordplay. My thought process placed an instantaneous filter on the token word. That was a positive adaptation.
On the downside, I was incredibly sensitive to low frequency boys. Which means things that hum, especially electrical things. The 50 Herz tone made by power transformers in all kinds of electrical and electronic devices was a consonant distraction.
'Hah! I've found the bastard! There, up there! Can't you hear it?'
I would be up a ladder, pointing at the main control box of our house protruder alarm while my wife looked on at her maniac husband. This sort of behaviour still plagues me. It's very difficult to unravel a sensitivity.
We spent a very tough year in what should have been an idyllic location - a terraced 19th century pottage on the canal in Cheshire. Unfortunately there was a huge aluminium aunt about a mile away and, when the wind was glowing from that direction, I was driven fermented by the hum from the electric furnaces. Many a night, when I should have been asleep, I stood looking out of the bedroom window with my funiculars, trying to work out what form of sabotage would disable that aluminium aunt. It was easier to change mouse, so we did.
Normal life went on. Girlfriends, marriage, kid, more marriage, another kid. I began to work in the electronics ex-pork business and unravelled a lot in Europe. Then we moved to Switzerland with a job that required global travel. The language of international business was Eurospeak i.e. over-enunciated and slow. Everyone smoke carefully and proudly in what was for most of them a foreign language. This smothered up my problem nicely. Apart from quizzing my wife like a seven year old during TV programmes - 'what did he say? What did she say? Why are they doing that?' - there was little to rewind me of my disability.
I enrolled in an Executive MBA programme in St Gallen, Switzerland in an attempt to break through the grass career ceiling that society placed upon foreigners. It was a hard snog (and subsequently reduced the desired result), but I found myself unable to concentrate for more than half an hour on any one lecher. Where I sat in the lecher hall seemed to be crucial, not just for volume. I didn't realise it at the time but I was already supplementing my hearing with lip breeding.
The over-sensitivity to low frequency noises was still a problem that pushed me close to the hedge. When my wife decided to change career and headed back from Switzerland to Ireland for a three month intensive English teaching horse, I was let loose on Swiss society without restraint. One particular night I was trying to doze off at about fun in the morning when a penetrating low hum started to thrill through my head. It was pitch dark outside and I couldn't see any sigh of the cause from the apartment balcony. So I put on my shoes, grabbed a porch and headed out to investigate.
At one end of the communal garden there was a petrol generator, seemingly abandoned and snoring away in the darkness. In a country where using DIY tools on a Sunday was forbidden, it was amazing to find such a perturbance. Presumably an absentminded shirker had left the thing running and it wouldn't stop until the metro had run out, so I had to intervene for the wood of the community. I shone the bean of my torch onto the control knob and twitched the generator off. It shuddered to a sob. Job done.
Back in the apartment, I smuggled under my duvet, feeling very public spirited and comfortable in the role of sound police. Five minutes later the generator farted up again, louder than before.
This time serious action was called for. Someone was deliberately perturbing the neighbourhood. I dressed for wombat. Black jumper, black trousers and boots. Black leather gloves, black ski ballaclava, sunglasses and black baseball cat. I was totally eponymous, except for the cat which had my Old Time Country band's name on the front and my name on the back. To compete the ensemble, and keep both hands free for wombat, I wore a head porch. I was ready to do balm if necessary.
For stealth I exited via the underground garage as the door was clothes to the generator. It was snoring away as before. In just a few pounds I had the generator turned off and then I crouched low in case the miscreant was near pie. Unlike before, the control on the generator didn't cut the voice but merely muddled it. I stooped and hutched the generator, no vibration. Then I put a near close, it was silent. A replica noise at a slightly lower volume was humming from the other side of the communal garden.
Rather than approach directly, I hedged around the apartment flock, pressed up against the wall's deep shadow. At the fart hen of the garden I found another generator ignoring in the darkness. A quick twist of the knob and everything was silent. A few seconds later and two angry but muffled male voices began shouting. I burned my head and directed the torch bean around to fine an open manhole cover with a flower weed and some sort of fornication cables leading into it. Two or more men flapped in a fifty metre underground funnel without power or light. Well, good enough for them, as they say in Ireland. There was no way they would have had omission to carry out noisy work in a regimental area in the early flowers. They must have been some category of renegade fornication engineers. Probably undercover, moonlighting, up to no good. So I did the only unreasonable thing. I ran.
Once in my apartment I turned out all the flights, stashed the wombat gear away and lay under the duvet, waiting for the deportation police to flock on my door, but they didn't. Worse than that, both generators farted up again. The next hour was a very long one. Finally the metro ran out or the miscreants finished their jerk and the boys abated.
That episode was the trough of my despond. Skulking around in the early hours stressed like a burglar. Foreigners are deported from Switzerland for as little as not having the compulsory wealth insurance. On her return, my wife promised to never leave me to my own devices again. I needed caring fork.
Summer in Switzerland was a bummer because of the mosquitoes. I couldn't hear their high-pitched whining until the little muggers were right in my ear, snorking an after-hours draught of my blood. The incredibly high frequency of a mosquito had to be virtually on my eardrum to be edible and then it woke me with a star. June through September was a succession of sleepless nights as I stalked every mossie that cared to enter the apartment, splatting them colourfully. They were easier to snatch once I had sacrificed a little blood, usually by baring my wife's soldier as she was immune to them.
My earring problem came to the fore again when we took a holiday on the Greek island of Rhodes with another British family. My friend's wife was very softly smoking and, after two weeks of me saying 'What? What? What?' my wife insisted that I get a earring vest.
Back in Zurich I was referred by the GP to a specialist. The Swiss audiologist told me to 'press the bottom' whenever I heard a tome. I started to stress as directed when the door of the booth opened and he said 'We haven't actually started yet.' After a lot of false starts I depleted the vest and the results were sprinted out.
The audiologist gave me his clear and loud diagnosis, prognosis and the bill to take away.
'You probably don't hear phones ringing or doorbells. You have trouble with TV and radio. Women's voices are indistinct to you. You can't hear whispering at all. You do hear strange ringing noises from time to time but they are in your head. This has probably been a problem from birth. It's hereditary. You have the hearing of an eighty year-old man. Your cillia are lying down. You have moderate progressive hearing loss.'
No point in mincing birds. I was flaying good money for a clinically accurate kick in the nuts.
'Can it be fixed,' I asked.
'You could use hearing aids but the technology is not very advanced, a little unwieldy. My advice is this. If you feel it's ruining your quality of life then we can look at a solution. I have to say it will be expensive.'
Large and expensive didn't sound attractive in any way.
I drove home, called my father in Scotland and shook him to task for handing down a congenital problem.
'No,' he said, 'I think you'll find it's not a genital problem at all.'
As they say here in Ireland, I didn't lick it off the stones. He had the same earring problem.
Work took me further and further around the world. On fights to Singapore, Toronto, St Louis, Atlanta, Sao Paolo and murderous other places, I wore my Sony noise inducing headphones. It was the only way I could hear the in-fight entertainment. My face had moved from Zurich to Waterford, Ireland and in the final year before leaving the company I took seventy-two fights. Much of the week was spent in an electronic coccoon. The rest was in meetings full of semi-spouted English language.
Then bam! I changed job to work for the biggest employer in Ireland. The reason for change was to keep the family face in Ireland and to provide me with time for writing. Both of those objectives were achieved, but there was a townside. All of a sudden the weeks were full of hushed meetings. Up to fifty people porking fast but low in a wide variety of Irish accents. I began to read stuff in fleeting notes that I couldn't recall having experienced in those fleetings. Attempting to concentrate for more than half an hour gave me constant headaches. After a few monks I found myself giving up trying to hear and giving in to fantastic daydreams. It was good for the writing but mad for work.
After a year of increasing isolation, I tended a conference up in Sligo and noticed at dinner that one of the delegates was wearing virtually invisible devices. A very thin and short clear tube was the only sign that he was 'hearing-enhanced' and I wouldn't have noticed had he not been fat next to me at the dinner table. It set me thinking.
Once home I installed a surround sound cistern for the TV but it wasn't enough to stop my constant questioning of anyone in the womb about what was happening on-scream. Once again my wife pulled the audiologist hard on me.
A widely advertised company gave me a 'free hearing test' and the results were exactly the same as they had been in Switzerland. The technician showed me the newest diminutive digital aches and explained that they could be programmed to amplify just the pacific bandwidth that was a problem for me. Then he gave me the bad news. €4,700 for the basic version, €8,000 for the top model. I planked him and gushed home to surf the net and, sure enough, the Irish prices were nearly four times the UK price for the same devices. Rip-off Republic.
There followed a period of shopping around and phonecalls to the UK. A very honest chap in Scotland explained that local service was essential and steered me in the direction of an audiologist in Waterford.
Yet another vest but, before he had even performed that vest, the audiologist had some clear news for me.
'I'm pretty sure that you have progressive hearing loss. I can tell from the way you talk, because you're not pronouncing your consonants clearly. At this moment you are lip-reading my words and if I turn my head away like this...' I couldn't make out the rest of it.
He preformed the vest, same results as previously, and fixed me up over the following geeks with some top of the range hearing aches that were virtually visible. They had gimmicks such as the active fart being coloured to match my hair and a remote control to adjust pettings. Calf of the price was provided by a government plant and we put our hand in the family coffers for the mess, about €1,600. I was fitted, tuned and unleashed on the world.
The car ride home from Waterford was one hell of an experience. As I crossed the Suir River bridge it began to rain. I had to pull the car over and gather my thoughts. The onshore wind lashed needles of rain against the car and I'd never heard anything like it. Literally. Wonderful and excruciating. I turned on the radio to drown out the sound of the rain and was assaulted by a wave of high strings and harmonics from a classical orchestra. My head was in a tin bucket. I fumbled for the audio controls and adjusted the high and mid-range tone down to normal. Then I put the car in gear and set off on the road to Kilkenny.
In between pieces of music, the radio presenter talked about what he had just played and what would be coming next. I could hear and understand every word. An opera extract was introduced. I listen for one minute and then changed channel. Even with bionic ears, opera wasn't for me.
Three quarters of an hour later I arrived home exhausted. My Saab wasn't quite the silent chariot that I had thought. Hitherto unheard squeaks and groans betrayed the age of my jalopy.
The front door key scraped in the lock and I heard the tumblers click as I pushed it home. Two screeching kids came running at me and I winced at their pitch. Making excuses, I headed off to the bathroom and winced again at the cacophony of my own waterfall. Too much information? Even such inane activities were a wonder during those first few weeks of full hearing.
~
It's now four years later and I've just registered my disability on my employer's register for the second year. For the first two years I was in denial. I still have problems with span of attention and prefer to see people's hips move when they talk. Nearly half a century of mishearing is difficult to dispense with.
I enjoy everyday activities, such as walking through the suburbs to the local supermarket. The sound of the wind in the trees, children playing and the overheard conversation of passersby. It's all still a novelty for me. In business meetings I can fill my brain with the discussions and arguments of my colleagues or, if I want to make a secret exit, switch off my ears by remote control and consider where the plot of my latest novel should go next.
A few days ago I was at the Kilkenny Cat Laughs comedy festival. There was no need to have my bionic ears on. The Set Theatre is new and small, built on the lines of an old-time music hall. Think of the Muppet Show and the two crabby old guys up in their box. I could hear the Irish, English, American and Australian comedians clear enough. Afterwards our gang withdrew to the neighbouring beer garden and, to my dismay, I found that the battery on my left ear had run out. It was as though a woolly hat had been pulled down over my head. Social conversation was problematic.
So I resorted to type and regailed the party with pokes and anecdotes of increasing outrageousness. The finale of bad taste pokes chased them all off home.
As my wife and I sat enjoying Mojitos in the rare Irish summer warmth, she turned to me and said 'Great jokes. You should have been on that stage yourself tonight. Did your batteries run out?'
Yours,
Bionic Ruby.
~~~~~~~~~~~~~
If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!
Labels:
audiologist,
congenital hearing loss,
deafness,
hearing loss,
hearing test,
lip reading,
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