Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts

Sunday, 7 July 2019

Ruby Reviews 4 3 2 1 by Paul Auster

4 3 2 1 bu Paul Auster


A few months ago a friend gifted us a couple of books. She’s not a regular reader and thought she ought to try and be one, so she had bought some Booker Prize shortlisted titles in hardback. It may have been a New Year’s resolution or something, and like so many of those it fizzled out pretty quickly. Lincoln in the Bardo by George Saunders and 4 3 2 1 by Paul Auster subsequently appeared on our shelf. I was just coming off a strict diet of John Connolly’s Charlie Parker novels, by way of style research (did I mention I have a new Ger Mayes crime novel coming out myself soon?) and thought a bit of highbrow reading was in order, after all of Parker’s killing and mayhem. However, Lincoln in the Bardo defeated me within the first dozen pages. Clever as the delivery method might be in that book, I couldn’t stomach it. So I turned to the huge 4 3 2 1 by Paul Auster.

Inside the front of the hardback jacket cover, 4 3 2 1 lets the reader know what they’re taking on. Archie Ferguson is the MC and the book follows four alternative life paths from 1947 through to the late 1960s. Chapters are numbered 1.1, 1.2, 1.3, 1.4 and so on to signify which of the four Fergusons are on call and the initial 1.0 sets the background with the Russian émigré Jewish grandfather, his son Stanley and Ferguson’s mother, Rose. The parental characters also develop different life paths and are a constant feature of the book through flashback and forward. As a reader, I’m not a strong advocate of too much flashback and I dislike foreshadowing, but the author manages to use both techniques without being too invasive. Even when the certain death of some characters is foreshadowed, Auster somehow acquires the reader’s permission to do so. Perhaps that is because, knowing an individual is about to be killed off in life path A, the reader rests assured that the same individual is likely to endure in life path B, C or D. The discomfort of losing a character to which the reader has built an attachment is diminished, as they’re only one part dead.

I had thought it would be difficult to follow the four separate life paths of Ferguson. There were a few times when I wasn’t quite sure if I was in 1, 2, 3 or 4, but I didn’t succumb to the temptation of turning back to previous chapters. Instead, I trusted the author to provide enough clues and hooks to keep me on track, and Auster manages that well. As a reader, it was an enjoyable experience. As an author, I wondered how much technical work had gone into writing the book. Did he write four different 250 page novels? Did he plot all the details and timelines in advance? Were checks made to ensure the reader would intuitively know which of the four life paths were being read?

Paul Auster’s style put me in mind of John Irving, albeit with less acerbic wit. Auster’s coming of age story is threaded through with the emotional and physical rollercoasters that the first quarter-century of a life might contain. Love, abuse, disaster, romance, tragedy, sex, crime, friendship, racism, violence, success, failure, in all their shapes and colours. With Irving, the MC’s life story sometimes takes a route other than that which the reader might have preferred. With Auster’s 4 3 2 1 there is a choice of routes. The reader isn’t trapped in lengthy observation of a single trajectory. I could have eaten a little more humour than 4 3 2 1 contained, but that’s just a matter of taste. The twist in the tail, however, is quite deliciously logical.

Wednesday, 9 September 2015

Ruby Drops His Pants to Pen a Page Turner

I've been writing under the name Ruby Barnes / R.A. Barnes for some time now. It's a pen name, in memory of my late Scottish grandfather Robert "Ruby" Aloysius Barnes. Here in Ireland we have famous men named Ruby (okay, so there's one, Ruby Walsh the champion jockey), so it's not totally weird for me to work under what looks like a female name. I did change to R.A. a little while back to try and be a little less "cozy", as my writing isn't "cozy" at all (and readers of my books will concur with that). However, I knew that one day I would have to cast off my cloak of Ruby and strut my street name. That day has come.

I will remove my disguise once I've got rid of this wasps' nest

A couple of years ago I met another writer, one more widely published and successful than Ruby but working even more in the shadows than I. A ghostly apparition, one might say. After a few opening salvos, we concluded that it might be fun to write a novel together. Fun in the way that full contact karate is fun as long as you have adequate protection for your private parts and beauty bits. There was a plot outline, some early work and a strong sense of what had to be done. The missing component was someone who could write Nasty. I had Nasty in a bottle in the spirit of John Baptist and other baddies. It seemed right up my street. Except I don't do plotting and all that. I'm what writers call a pantser.
Wot? No plot?

So I had to drop my pants and run with the lady's plot. It wasn't easy. There was shouting and screaming and hand-to-hand combat. That was the co-authors. But the result was sublime. A struggle to the death by two determined individuals with unique voices. That was the characters. Experienced beta readers were engaged to advise along the way. Each chapter was put through the mangle and came out freshly pressed. The female HALO character is in control but dangerous and with a wonky moral compass. The male SHARD character is evil, vindictive, sadistic, sexually-perverted and lusting for revenge. (Guess which one I wrote.)

John Goldsmith's review of Kill Them Twice says it all much better than I can:

"Everything you don’t expect and everything you want. This is one of the higher aims of any work of fiction, regardless of genre, and it is fiendishly difficult to attain.
Eveleigh and Turner’s super-charged thriller Kill Them Twice gets you there at page one, chapter one, paragraph one – one could almost say, sentence one and keeps you constantly encountering the unexpected and relishing the manifold treats all along the way to the bittersweet, counter-intuitive conclusion."
(See the rest of John's review here)

So, I am an author and my name is Mark Turner. There, I've said it. My pants are round my ankles. I need a beer.

Kill Them Twice is available from 4th September 2015 at the following outlets (at a special release price of 99c / 99p):



We've provided some insights into the mindset of Halo and Shard in our blog post The A to Z of Kill Them Twice

Here are some other pieces of the pie:
Follow us on Twitter @KillThemTwice
Visit our web page http://eveleighturner.com
Visit our blog http://eveleighturner.wordpress.com
Like us on facebook

Thanks for reading and see you on the other side of the page.



Cover for Kill Them Twice by eveleigh & turner

Friday, 14 June 2013

He's Not My Son



Bad news. Turns out I'm not the father of the boy. After nine years estranged and wondering every day if I should have done more, I finally faced up to it and went on a surprise visit (a.k.a. stalked) my ex. The kid is a mini-me of her yoga instructor, Ciaran. No doubt he'll grow up to be just as flexible. 

The good news is it's just fiction. Getting Out ofDodge - the sequel to Peril. From Marble City Publishing.


Friday, 24 May 2013

Watch Out for the Skin Deep - Book Review

cover for The Argentinian Virgin by Jim Williams


The Argentinian Virgin - judging a book by its cover.
I was captivated by the beautiful woman on the cover of this book the moment I saw her. It’s happened to me before and I dare say it’s happened to you too. We assign attributes of character without any basis in fact, but because of the way an individual appears. Through a happy accident of birth, the lucky mix of genes, what the red Hot Chili Peppers call “a perfect piece of DNA”, an individual is blessed with beauty. Facial symmetry, poise, a breadth of shoulders, slimness of waist, coupled with graceful strength or endearing fragility.

Nature’s deception, I call it. The effect may be momentary; if they open their mouth and sound like their antithesis then the bubble is burst; if their charm works when statuesque but fails in movement then they ought best to stand still. Without any contrary evidence, such beauty can be an enduring lure. I’ve been caught out more than once by appearances, giving trust and even affection to the owner, only to find that it was an accident of nature and under the alluring surface they’re just as ordinary as you or I. But sometimes, occasionally, the character matches the appearance and something wonderful is ignited for anyone who comes within range. Such a person is Tom Rensselaer in The Argentinian Virgin by Jim Williams.

Lucky Tom Rensselaer warms the sight and hearts of all who have the good fortune to meet him. He’s a product of good breeding, old money (although now lost) and perfect nature. Strong in principle, generous and loving, he cannot fail in life. But what happens when Adonis meets Aphrodite? Katerina Malipiero captivates Tom from their first encounter. She’s without guile, innocence personified, and all the more irresistible for that. The air crackles with charge whenever they are in each other’s company. He can’t withstand her attraction, any more than the powers at war can halt their own inevitable march towards doom.

Set on the French Riviera early in the Second World War, monumental events occur around the cast of Tom and the other Americans, the Malipieros and the Irish narrator, Pat. A chance encounter, infatuation, love and lust lead Tom and his Argentinian Virgin through the backwoods of occupied France, leading to a tragedy that no one can avoid.

Passionate, evocative, enthralling and emotive, The Argentinian Virgin is a warning to watch out for the skin deep.

I read The Argentinian Virgin as a kindle book, but it's also available as an epub on Barnes & Noble and iBookstore and in paperback.

Thursday, 3 January 2013

Get the WIP out and get on with it, Ruby!


Over Christmas I shared the first 38k words of the sequel to Peril with my beta reader and things are looking good. Now I need to knuckle down and get it completed. Peril has reviewed well on Goodreads, Amazon dot com and UK. I've learned a lot from those reviews and hope readers will enjoy the sequel just as much or even more. In the meantime Peril is featured on the UK site Indie Book Bargains - please take a look by clicking the badge below.

Indie Book Bargains 

If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!

Friday, 10 August 2012

A Goodreads Giveaway - pre-launch paperbacks of The Crucible

One of the great things about getting reviews for your novels is to find out exactly what it is you've written. Beauty is in the eye of the beholder and readers know best. I have learnt so much about my own writing from reader reviews on Goodreads, LibraryThing, Amazon and elsewhere.

The book pages on this blog not only serve visitors to summarise reviews of Peril, The Baptist, The New Author and The Crucible Part 1, they also provide me with a single source of reader input that I use as a guide in marketing existing work and planning new projects.

The Crucible Part 1 has had its first two reviews from Ignite (an Amazon top 1000 reviewer) and Tammy (The Self-Taught Cook). I was a bit nervous as I've deviated from my first person, present tense narrative style and stepped out of the crime / psychological thriller genre into political thriller (in fact I'm still genre bending as you can tell from Tammy's review). The body count is high (Rapture proportions) and the novel deals with themes that readers may well hold strong opinions about - religious fundamentalism, AIDS and far right & left politics. These first reviews are encouraging and so I've decided to go straight to paperback with a launch date of 8th October (when I've recovered from my 50th birthday party!) It's a great opportunity to do a Goodreads Giveaway and there are two paperback copies up for grabs below.

Goodreads Book Giveaway

The Crucible by Ruby Barnes

The Crucible

by Ruby Barnes

Giveaway ends October 04, 2012.
See the giveaway details at Goodreads.
Enter to win


Now, Ruby is going to be a bit quiet for a couple of weeks, writing up Allen's Mosquito - The Crucible Part 2.










If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!

Thursday, 29 December 2011

Amazon bot has picked up my festive freebie

It seems that Amazon.com's bot has been busy sniffing out folks' special offers. Peril has gone free again on amazon.com, presumably as the result of a bloghop Smashwords freebie offer.

So, if you're an Amazon.com user and haven't already got hold of Peril on www.amazon.com/Peril-ebook/dp/B004TXOOHO, then dig in!


If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks! 

Friday, 14 October 2011

Thanks to @WodkeHawkinson

I was fortunate enough to be interviewed by the lovely Karen Wodke Hawkinson and the results are posted on Yahoo Associated Content. Here's a narcissistic snippet:

Ruby Barnes, author of Peril, dedicates his writing to the memory of his grandfather, the late Robert 'Ruby' Barnes. In addition to his writing, he also maintains a blog. Ruby has that unique talent for creating characters the reader both loves and hates, and simultaneously roots for and against. From the shipyards of Port Glasgow to the industrial heartland of Southern England, through the fractured reaches of mountainous North Wales and across Scotland 's bottomless lochs, Ruby has traveled and found inspiration for the misfits, rogues and psychopaths that haunt his writing. He is now based in sometimes sunny Kilkenny, Ireland. I was fortunate that Ruby graciously took time from his busy schedule to grant me the interview that follows:

Can you identify a moment when you knew you wanted to be a writer? What was that moment like?
That moment was when, as a teenager, my English teacher accused me of plagiarism over a poem I had written comparing an ancient tower with a mountainside, two sentinels observing time passing by. My parents also disbelieved that it was my own work. It was a moment of incredulity and elation. Then I was heavily marked down for suspected copying.
Read more here...

Thursday, 4 August 2011

Heirloom - an extract from The Baptist

Wind whipped the rain against the window like someone throwing gravel.
He picked up a chair from the kitchen table, removed the cushion and squeezed the loose crossbars of the legs together. Then he placed the chair before the high press. The wood creaked under his weight. He brought down an ancient biscuit tin and took it to the table.

The tightness of the tin lid held in an aroma that hadn’t changed over the years. Sweet shortbread and something else sour. Inside was a cloth that further protected the contents.

All the way from America. You can see it’s genuine. Not like those new-fangled ones made of plastic and whatnot.

His father’s words, God rest his soul.

Elegant simplicity, classic. None of the modern fussiness. It deserved to be on display, not tucked away. That wasn’t an option, though. Word would get out and some reprobate would steal the thing. More importantly, Brid wouldn’t tolerate it. She hated it. They’d argued about it over the years. She wanted him to sell it to a collector but respected it as a last remnant of his father, so they maintained a position of detente on the matter.

Ugly thing, she’d say, Put it away, Séan.

The front doorbell rang. He wrapped the cloth carefully around his heirloom, closed the lid and then walked heavily to the door.

‘Mr McCarthy, how are you?’

‘Come in, come in.’ He took her dripping raincoat, gave it a shake and hung it on a hook behind the door. She smoothed down the skirt of her nurse’s uniform.

‘Well, Jean. Tea?’

‘Oh, I don’t know. I’ll only be a few minutes. Okay, if you’re forcing me.’

Having completed their habitual exchange, she went through to Brid in the front room and McCarthy returned to the kitchen. He moved the old biscuit tin to a corner and covered it with a tea towel, then went about his splashings and clatterings. He could hear them talking.

‘How are we today, Brid?’

There was a beep from the morphine drip.

‘Not long now, Jean. I won’t be needing you much longer.’ Brid’s voice was clipped.

‘Nonsense! Tough old bird like you, you’ll probably outlive us all! Now, that looks sore. Let’s get a new vein for you.’

‘I don’t feel a thing, dear.’

‘Well, that’s what we want, isn’t it?’

McCarthy brought the tray in and placed it on a table next to the door. Nurse Jean removed the empty bag of morphine and attached a new one to the stand. The dispenser emitted a number of tones as she pressed the control buttons.

‘Here you go. Have a seat.’

McCarthy handed the nurse a teacup and saucer. His hand trembled and the spoon rattled. She took it and sat on the sofa.

‘Thanks, Mr McCarthy.’

They sipped tea and McCarthy offered Nurse Jean a plate of biscuits.

‘Oh, jammy dodgers, my favourite. You’re too good to me, Mr McCarthy.’

‘Séan, call me Séan.’

They looked each other in the eye for a few seconds. McCarthy could hear his own heavy breath.

‘Oh!’ Brid said. She was looking at the television. A picture of Joe flashed up on the screen.

McCarthy reached for the remote control and turned up the sound.

‘The State Pathologist conducted a post mortem on the remains found buried in marshland near Bagenalstown, County Carlow. It has been confirmed that they are those of Joe McCarthy who disappeared from the area eight years ago. Cause of death is as yet unknown but it’s believed that the remains have been there for several years.’

McCarthy pressed the mute on the remote and pursed his lips. The teeth felt slack in his gums.

Brid shrank slowly into her chair and gave a low groan.

‘I’m sorry for your loss,’ Nurse Jean said.

The drip dispenser beeped.

‘I’m so very tired,’ Brid said and gave a painful whimper.

When her tea was finished, Nurse Jean kissed Brid on the forehead.

Brid clutched the nurse’s hand with her own claw and they parted without words.

‘There’s no numbing grief,’ Séan said as he helped the nurse put on her raincoat. ‘Eight years of hope. Eight years.’

‘Mr McCarthy.’

Nurse Jean O’Dwyer couldn’t bring herself to call him Séan. She shook his hand and left.

He watched her run from the doorway in the swirling rain and until her car had rounded the corner and left Cypress Grove. The wind eased and a gap opened in the clouds, letting the sun brighten the drenched garden. Raindrops shimmered like diamonds on the leaves of clover that had started to grow on the lawn.

Somewhere there’s a rainbow thought McCarthy as he pushed the door shut.

In the sitting room Brid was motionless, eyes closed, as UK Gold played an ancient sitcom on the TV. McCarthy ran the fingers of his hand down Brid’s cheek and kissed her forehead.

‘I’m ready,’ she said and opened her eyes to look at her husband.

‘Yes, love.’

He looked at her eyes, so small, the lashless lids covering all except the pupil. Then he turned his attention to the motorised pump of the drip and adjusted the controls. The dispenser gave a beep and then another, a succession that took up the pace of a metronome.

‘I’ll see you on the other side, dear,’ Brid said sleepily.

McCarthy kissed his wife on the lips for the first time in many years. Her small mouth puckered with a firm desperation and then slackened as the morphine coursed through her veins. He took her hand and sat on the arm of the chair.

‘Joe,’ Brid muttered as her breathing began to slow.

This was the painless, quick end that she had wanted. When he was sure that she had passed, he adjusted the controls of the drip back to how the nurse had left them. Then he collected the tea things on the tray, took them out to the kitchen and washed them up.

The water was hot on his hands and the sun that had broken the storm shone through the window. He held his hands up to the light and they were trembling. A moment of nausea caught him unawares and he grasped the stainless steel of the sink. Then he reached for a tea towel, revealing the old biscuit tin, and dried the crockery.

Each cup and saucer had a rightful place in the press. Brid was very particular about that. He had maintained her ways long after she had given up the mundane household chores and taken up residence in her armchair. It pleased him to have everything in its place. That was the way that he kept his tools in the shed.

The air was crisp and fresh in the garden. McCarthy walked along the concrete path and turned an old key in the padlock on the shed door. Inside the familiar odours put him at ease. Cut wood, plant food, old paint and thinners, creosote. He saw his reflection in the little mirrored door of the old bathroom cabinet fixed to the shed wall and allowed himself a smile. In that smile he saw Joe. And Eugene. Never forget Eugene.

The key to the cabinet was on a hook behind a shelf of plant pots. He unlocked the cabinet, opened it and pocketed a battered cardboard box.

Back in the kitchen, his father’s voice came to him as he handled the contents of the biscuit tin.

This is more than what it seems. This is a symbol of our struggle and the birth of the Republic. It’s a weapon for good and evil. Depends on whose hand it’s in.

McCarthy had never fired the thing and wondered if his father had either. It looked new, unused, just dulled by age. He had loaded it once, in the shed soon after Eugene’s scant remains had been interred, ashamed afterwards of his own melodrama.

The old cardboard box was tattered but the bullets looked in good condition. He pushed them into the revolver, chamber upon chamber, and clicked the mechanism back together. The thing felt heavy, violent. Morphine would be a better way, but he didn’t know how to do that for himself. Count down slowly from ten and the morphine would carry you away.

McCarthy held the barrel to the side of his head and began to count.

Ten, nine. Perhaps the bullet would glance off his skull and not penetrate. He’d heard of such things. Divine intervention, it would be a sign.

Eight, seven. He couldn’t stop now. A vein in the side of his temple throbbed painfully, the cold of the gun’s muzzle pushing into his scalp through thin, white hair.

Six, five. Heaven or hell, he had no patience for this.

McCarthy pulled the trigger hard. A double click and then nothing.

He pulled again more gently and there was a another click as the mechanism moved to the next chamber. McCarthy let out a little laugh. He should have got hold of some new bullets. Fifty years in a damp shed must have spoilt them. And he should have learned how to use the gun properly. Here he was, playing Russian Roulette with himself.

What if, like the bullets, Messrs Smith and Wesson’s engineering also hadn’t withstood half a century of inaction? It could explode and blow his hand off. He put the barrel in his mouth and coughed. Séan McCarthy’s finger jumped on the trigger and the gun fired.

~~~~~~~~~~~~~

If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!

Sunday, 24 July 2011

Muse defused? Careful with that blue touch paper!

Until recently I was unamused. Muse desertion.
There were good enough reasons for that sad state of affairs:
  • too much social networking (um, does blogging count as writing?)
  • in the middle of a rewrite / edit since forever
  • a new day-job that sucked my energy and time (they sure have some cheek, those employer types) and destroyed my writing space (commuting by train was over).
In the bumble through life that I call destiny, excuses are like plentiful windfall fruit. I pick them up, take a bite and say 'That's why I've been fumbling around on the internet. That's why I haven't been writing creatively. I've been building an online presence, establishing a network. Experimenting with establishing a new writing discipline. Plus, I've been rewriting.'


Well, one of my windfall excuses passed its sell-by date last week. I finished the rewrite / edit of the first two thirds of a psychological thriller. There had been a few thousand new words added but the process had mainly been sharpening of key characters, strengthening their voices and aligning them to the correct moral compass. Full excel-of-doom analysis model, chapter by chapter.

It was an essential but museless task, a trudge through thick mud. I sat looking at the last few pages, originally written some months ago, and pondered what might happen next. If I muttered the right incantations would my muse reappear? Might I face a period of writer's block? Poor tormented author? Unsure of the outcome, I lit the blue touchpaper and sent a signal into the heavens. Muse, I need you back.

The next morning I had a long train journey for a meeting in the capital. Melody Gardot on earphones. Hot coffee. Back in the old writing office. The voice of the protagonist came through loud and clear. Several pages later and I was being thrown off the train, end station. All I wanted to do was continue typing on my laptop. Return of the Muse.


That evening I floundered a little. The protag and the DI had discovered a key piece of evidence that would need changes to a few earlier chapters. In my head I switched to the excel-of-doom and prepared to re-enter the edit / rewrite zone. Then I thought NO! No more delaying until completion of first draft. Muse, I am yours, do your worst.

She caught me in the night, spun her intrigue and let me wake on the strands of that web. I struggled against the threads and she felt the vibrations, running at me from her dark corner. I was braced for the bite but she leapt upon my back and propelled me into the spare bedroom. There, she held me captive for an hour before the family awoke. I threw the words onto my page, set up the grisly double suicide and was released for my day job with a sense of elation.


The next day, Saturday, I was pleased to see that I had ten new Twitter followers, three new friends on Goodreads, a couple of facebook friend requests, a smattering of fresh sales on Amazon and twenty free downloads on Smashwords. For two hours I social networked and kept my muse in the closet. That was until I happened across the J A Konrath's blog post 'Are you writing'. It didn't say anything I didn't already know and I paraphrase JAK here: stop spending valuable time reading blogs and generally arsing around. Go write! Produce, produce, PRODUCE! If you are an author you must produce.

This hurt. It hurt a lot. Before I stumbled upon the otherworld of social networking, blogging, online writers' forums etc, I had been a prodigeous writer. Konrath was talking to me and, at the same time, the Muse was screaming in my ear.

An immediate reaction occurred. I ran into the other room, put on some music and started to write...this blog post. After half an hour of typing, deleting, rewriting, I re-read JAK's post. Then I switched off the computer. I took out the other computer, the old one that can't connect to internet anymore, and completed the sad demise of a murder victim's family. The Muse stroked my hair as she clung to my back.

I'm in her sway. The whispering mystery that is my Muse. Her name is Virtue.

Okay, enough blogging, gotta go write!

~~~~~~~~~~~~~

If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!

Sunday, 17 July 2011

The novel contortionist: genre-bending to fit a pigeonhole

I first saw pickled eggs many years ago in a fish & chip shop called Chophards. A huge glass jar squatted on the counter, the kind of jar that might contain unspeakable specimens in a nightmare laboratory. It was a permanent fixture, as though the contents needed to mature for a century. Those eggs swayed in a light yellow fluid and were things of terrible mystery and horror.

Random people ordered them with their fish and chips over the course of the years. There was no typical pickled egg consumer. Young, old, affluent, breadline. A gasp in the queue always followed that rare occasion when someone said 'Cod and chips please. Oh, and a pickled egg.'

Back to the future and I found a jar of pickled eggs in a local supermarket. Had to have them.

'Are they raw when they're put in the vinegar?' asked my 10 year-old daughter. 'Do they still have the shell on? Why are they pickled? Who eats them? Why? I mean, why would anybody pickle an egg, Dad?'

'Try one,' I said.

We both bit into the cold white. It was resilient with a mild pickle taste. The yolk was a contrast, crumbly and vinegary. Within a few hours the two of us had consumed all of the things.

A couple of days later and I decided to reorganise the bookshelves, as I couldn't find a particular book (again!). I'm not particularly obsessive about keeping things in order, and often can't remember book titles or author names, so sorting into genre made sense. It seemed manageable. Just genre, no alphabetical order of authors or titles.

Classics, crime thrillers, action adventure, chick lit, literary fiction, non-fiction (sub-section on Africa), fantasy, childrens. Then the leftovers. Those leftovers included nearly all of my favourite books. They defied genre. Not enough pace for a thriller. The crime aspects too incidental. Language not sufficiently literary. Maybe a classic when I'm long gone, but not yet. No chicks or chocolate. My favourite books, all genre benders. Misfits. Pickled eggs.



Not everyone would agree. Some might say that John Irving's 'A Prayer for Owen meany' is literary fiction.The same for Ian McEwan's 'Enduring Love' or Steve Toltz's 'A Fraction of the Whole'. But they don't fit comfortably into the company of John Banville's 'The Infinities' or Salman Rushdie's 'Satanic Verses'. Nevertheless, that's where you'll find them in the bookshop, alongside Cormac McCarthy and the heavy lads.

My favourites shelf is a shelf of quirkiness. Inexplicably enjoyable, not sufficiently aligned to any one genre. The books that I remember most fondly are all a bit weird in one way or another. They're pickled eggs, well, some are gherkins or onions. Little wonder, then, that my first ebook, Peril, is undeniably a pickled egg. There's too much of me in it to be anything else.

Tutors, mentors and peer groups are likely to advise an unknown author to stay within the genre rules. I did try and write within a genre - two action adventure novels. Unfortunately I was belly prone on the authorial learning curve and the results were quite deplorable. When I found a voice the genre rules had been thrown to the wind and writing became a true joy. But the result didn't fit a pigeonhole.

Many writers' seeds of inspiration germinate and nudge tender green shoots up through fertile soil and into a warm sun. Some find themselves in the midst of a humid jungle. It's crowded, competitive for the sunlight of attention. The young plants flourish, blossom and bloom.

Out on a dry plain another seed follows nature's call to be greeted by a scorching heat. Tumbleweeds roll rootless across the wilderness, driven by a dessicating wind. Our brave new shoot develops a tough skin and puts out prickles to dissuade predators. The young cactus flourishes in that baking desert. A prickly pear. Maybe that would have been a better analogy than a pickled egg, but cactii are few and far between in rainy Ireland.

Genre rules aren't hard to find on the internet and in tutorial guides. I'm not a big fan of 'how to' books but maybe I should become one. I prefer the 'how not to' type of tongue-in-cheek guide eg. 'How Not to Write a Novel' by Mittelmark & Newman. That particular book is great entertainment but trying to write with rules (or don't rules) can make the author self-conscious of style, stymie their spontaneity, crush any creativity and generally over-alliterate.

Are you a reader or writer of genre-challenged novels? Does an 'inappropriate' mix of crime, thriller, mystery, romance, murder, intrigue and naughty bits do it for you? Have a pickled egg. Surprising and lovely.

~~~~~~~~~~~~~

If you've enjoyed reading Ruby's blog then please sign up to Ruby's News for freebies, advance review copies of upcoming novels and occasional updates. Thanks!

Sunday, 17 April 2011

What drives people to crime?

A brief post to say thanks to Susanne O'Leary for asking me onto her blog to explain why I chose to write crime novels like PERIL.

Read my chatter here on Susanne from Sweden's Blog



Susanne has published numerous successful fiction titles over the years with mainstream publishers and has recently made her back catalogue of chick-lit, contemporary women's fiction and historical / literary fiction available on kindle. There's an interesting article on her blog giving some insight on how well this has gone. Susanne made a recent move into crime thrillers in partnership with Ola Zaltin (of Wallander Swedish TV script fame) and their new ebook Virtual Strangers is available as an indie ebook on amazon. Virtual Strangers is about an internet chat that leads to murder. It's hot stuff, here's part of the blurb:

Two complete strangers meet on a train and agree to off their significant others. Sounds familiar? It should be, it's 'Strangers on a Train'. 60 years later, two strangers meet online. A man and a woman - Seabee and Annika - hook up on a wannabe authors' site where they flirt, banter and play around with the notion of dispatching their equally impossible partners. It's all a big literary, intertextual joke, until the weekend when both their partners actually do die in what seems to be unrelated freak accidents – or are they? Seabee and Annika find out in a hurry that cyberspace makes strange bedfellows – and if it's not he nor she who did it – then who has done the killings? The two team up to find out who has hijacked their fantasy and turned it into a bloody real-life.


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Sunday, 10 April 2011

Ireland's newest anthology


I want to share with you what happened to the 22 authors of this book over the past four years. Where we’ve been and what we’ve been doing when we said we were ‘going to writing college for the weekend’. Strange events have occurred.

When we arrived here in Hogwarts as first years - young witches, wizards and muggles – we were all nervous. Did we have the magic in our quills? Professors John Dumbledore McKenna and Suzanne McGonnigle Power made everyone welcome. They soon had us flying around on our broomsticks, playing Quidditch and chasing the golden snatch around the grounds. The rigours of John’s morning register and the spiritual escape of Susanne’s talking in tongues were strange, but we believed them when they said the Philosopher’s Stone was within our hearts. He that must not be named tried to sow doubt and fear in our fledgling egos, with terrible deeds such as putting do not park here stickers on our cars, but his powers were weak. The professors had us under their protection.
Year two - some found themselves prisoners in Azkabhan, torn and tortured by Dementors. There they lost their minds and their writer’s muse. We hope they’ll escape one day to join us. Meanwhile, a fresh intake arrived here at Hogwarts and were trained in the Dark Arts. They endured new hardships, such as lack of custard cream biscuits at tea break, outbursts of writers’ zeal from John and Suzanne forgetting the matches for her candles. They began to tune in to the subliminal hypnosis of John’s reading voice and experiment using Suzanne’s powers. There were whispers of self-doubt in ears at night from he that must not be named but together the students found the Horcrux, destroyed the second beast and dreamed of walking amongst literary giants.
The third year and existing students received an invitation by owl to attend the Two Roads course. Some of them were also too weak to escape Azkabhan and they languish in agony there. The lucky ones gathered here to look down their noses at the new first years and fight over the chocolate digestives. John, weakened by frequent growing and shaving off his beard, found increased strength with the launch of a new book of magic The Space Between Us (available on amazon.com and at all good book stores). Suzanne put herself through pre-nuptial purification rituals and took us on a journey of self-discovery where we discovered...ourselves.
Year four and the final struggle with the Death Eaters of doubt commenced. Hermione Powers married her Ron and brought the powers of Angel Journey (available on amazon.com and at all good book stores) into battle on our side. Dumbledore McKenna allowed us increased playtime to perfect our spells. Our writers’ muscles became bunched with self-belief and huge with the strength of inspiration. We stood shoulder to shoulder against the dark forces and destroyed the remaining Horcruxes of self-doubt one by one. Then we poured a piece of our own souls into Original Sins (available on amazon.com, at all good book stores and also right here tonight).
The world is full of writers who will never experience the joy that publication of their work brings. Tonight, here in Hogwarts, 22 authors have made that first, vital step.
As Bill Clinthon and Barrack Omama recently said at a cocktail party, Original Sins is the best anthology the world has ever produced.
Never let fact get in the way of fiction.


Thursday, 31 March 2011

A confection of original sins


The April 8th launch of this anthology is the culmination of three years' work by twenty-two Irish writers. Suzanne Power and John McKenna have been our guides and mentors on the Two Roads course run by NUI Maynooth in Kilkenny. This is a paperback of 200 pages containing short stories and opening chapters of novels. The book will be available at the launch and in good bookshops throughout the South East of Ireland. (Also UK pre-order through amazon.)

Yours truly has featured with opening chapters from The Baptist and I'm a bit nervous as I have to read at the launch. Not nervous because of the showmanship (I'm karaoke king!) but because The Baptist is a bit risqué. If you plan to attend then don't be put off by that or by the 'Theology Hall' venue - there'll be wine!

Suzanne, John and the team have edited and produced a very professional anthology.

Suzanne Power is an Irish journalist and published author of several works of fiction and non-fiction. Her latest offering Angel Journey is a beautifully written book that draws you gently yet very persuasively into one woman's honest and deeply sincere journey through the realm of spirit.

John MacKenna is a playwright, broadcaster and published author of several works of short stories, fiction and non-fiction. His recent novel The Space Between Us is a disturbing and shocking story of relationships, deftly told.

A closing thought: have you taken the right road?


The Road not Taken

by Robert Frost (1874 - 1963)

Two roads diverged in a yellow wood
and sorry I could not travel both
And be one traveller, long I stood
and looked down one as far as I could
to where it bent in the undergrowth;

Then took the other, as just as fair,
and having perhaps the better claim
because it was grassy and wanted wear;
though as for that, the passing there
had worn them really about the same,

And both that morning equally lay
in leaves no feet had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I --
I took the one less travelled by,
and that has made all the difference.



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