Showing posts with label africa. Show all posts
Showing posts with label africa. Show all posts

Tuesday, 15 January 2013

Hallelujah! The Crucible finally lands at Barnes & Noble

The Crucible Part 1 e-book epub mobi
The Crucible epub edition

At long last The Crucible Part 1 has gone up on Barnes & Noble and is available there as an epub and paperback. It's a harrowing story of horrifying international conspiracy, religious fundamentalism and global negligence, very close to reality. I'm going to blog further about the background research, controversy and moral message of this book but for now I'd just like to announce the B&N availability because I know very well (from Ruby's News where I ask about e-book file type preference) that a lot of people read epub.


The Crucible by Ruby Barnes paperback edition
The Crucible paperback edition

This controversial thriller has had some great reviews on Amazon and Goodreads since its release but the process to get the epub up on B&N has taken a long, long time. Pubit! isn't yet available to European authors so direct publishing to the store hasn't been an option for me and Smashwords is the way in. B&N are planning to open Pubit! up to UK authors in the near future, since the recent UK launch of the Nook, and I'll be slipping across the border then to fix things up.


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Saturday, 10 November 2012

Rediscovering the spark

(See end of post for free e-book!)
 
It happens. When the Moon is in the seventh house, and Jupiter aligns with Mars, or whatever. You have a creative idea and it translates. Verse, music, prose, it's a product of the inspiration that grabs you and makes perfect sense at the time, like a dream that lets the new day dawn with a feeling of elation.

Writing a novel is a lengthy process and completing the manuscript can take anything from a few months to several years. That's a long time to maintain the spark of inspiration that initiated the novel idea. Then editing is required, adding time and over-familiarity. At the end, when the work is ready to publish, an author often just wants to get done and over. Somewhere, deep inside, the ember of inspiration remains but the author has long since moved on to kindle another fire.

I get the impression that mainstream authors birth their creations and only revisit them when forced to do so by interviewers or high profile literary reviewers. Ideally they don't even read the critics' viewpoints and certainly never scour online reviews at Amazon or Goodreads. Not so the independent authors! Reader reviews are a valuable tool for indies to gain exposure and garner referral sales.

Friday, 10 August 2012

A Goodreads Giveaway - pre-launch paperbacks of The Crucible

One of the great things about getting reviews for your novels is to find out exactly what it is you've written. Beauty is in the eye of the beholder and readers know best. I have learnt so much about my own writing from reader reviews on Goodreads, LibraryThing, Amazon and elsewhere.

The book pages on this blog not only serve visitors to summarise reviews of Peril, The Baptist, The New Author and The Crucible Part 1, they also provide me with a single source of reader input that I use as a guide in marketing existing work and planning new projects.

The Crucible Part 1 has had its first two reviews from Ignite (an Amazon top 1000 reviewer) and Tammy (The Self-Taught Cook). I was a bit nervous as I've deviated from my first person, present tense narrative style and stepped out of the crime / psychological thriller genre into political thriller (in fact I'm still genre bending as you can tell from Tammy's review). The body count is high (Rapture proportions) and the novel deals with themes that readers may well hold strong opinions about - religious fundamentalism, AIDS and far right & left politics. These first reviews are encouraging and so I've decided to go straight to paperback with a launch date of 8th October (when I've recovered from my 50th birthday party!) It's a great opportunity to do a Goodreads Giveaway and there are two paperback copies up for grabs below.

Goodreads Book Giveaway

The Crucible by Ruby Barnes

The Crucible

by Ruby Barnes

Giveaway ends October 04, 2012.
See the giveaway details at Goodreads.
Enter to win


Now, Ruby is going to be a bit quiet for a couple of weeks, writing up Allen's Mosquito - The Crucible Part 2.










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Friday, 20 July 2012

Cruising for a bruising? Out of the crucible and into the fire...

Now, I'm a man of many principles. I don't stick to a lot of them, but I do have them neatly stored away, stacked on my shelves of morality, with my jar of pickled eggs.
You'll see the pickles are flanked by two groups of books. On the right are my signed-by-the-author copies of books, some self-published and others mainstream. I'm passionate about reading & writing and a big supporter of anyone who wants to get their story out there. On the left is some of my Africa collection.

As an Englishman, living here in Ireland, I'm reminded with decreasing frequency about the eight hundred years of oppression visited by my country upon the island of Ireland. In speeches, at leaving parties and randomly in the streets of Kilkenny I will stand and shout 'Yes! I take full responsibility for all that. On behalf of whomever I apologise to whoever about it all. And in compensation I offer this token of [insert beverage, bite of my sandwich, discounted copy of my books].' However, the British imperial rule of Ireland was oppression lite compared to that perpetrated by Western Europe upon Africa over the past centuries. Martin Meredith's The State of Africa is a great account of pre and post-colonial rule in Africa, but suffice to say I'm not proud of how things went on and neither should you be if you're a European. If you're an American then you know the whole other Africa story but that's not for today.

I lived in Zurich, Switzerland for seven years and saw first hand the enormous wealth coming out of African countries that are at war, enduring famine and generally making a cock of the whole running-a-country business. Limousines, robes of many colours, unimaginable wealth decanted from sub-Saharan African countries rich in natural resources but poor in ethics. I'm not a real socialist but a firm believer in absolute power corrupts absolutely.

There's something about Africa that drives a continuous cycle of altruism, nepotism, corruption, despotism, coups and idealism, with very few exceptions. And what does the western world do about it? Unless oil or other key natural resources are under threat, we assuage our consciences by sending gap year students in SUVs to deliver vitamin enhanced porridge wet feeds to villages that really need electricity, water and slightly less despotic governments. Or we go and build bungalows in slum townships that are a direct result of local government policy. We apply a sticking plaster of conscience to the gaping wounds of the country we likely all originated from. Well, that's my excuse for not giving to charity. In a cosy world where my apoplectic fits of rage are mostly directed at people hanging the toilet paper in the incorrect manner, I know how fickle my principles are.


But there's a far worse area of neglect in Africa that has to be owned up to. When I was working for an international engineering company we had factories all over the world. The three factories in South Africa had an HIV prevalence of over 45% among the workforce. These were trained mechanical and electrical manufacturing employees, normal people, not underprivileged or in remote villages. The rate of HIV in African countries is huge. What is the western world doing about it and how much of the huge profits in the pharmaceutical industry are invested in solving the problem? Let's just park that where our conscience can't see it, behind the pickled eggs.

To distract your thoughts from these difficult subjects I'd like to throw religion on the table. Christianity was tempered in the fire of the crusades and its sharp edge brought down on the heads of innocents once the West had learnt how to travel in numbers to distant shores inhabited by 'heathens'. Islam and Christianity fought tooth and nail over symbolic goals throughout the last two millennia (ok, I'm not a historian, but you get my drift). It's still going on, with George W's claims that he acted in God's will, Iran talking about being the Gatekeeper of Armageddon, and latter-day crusades wrapped up in rhetoric of all kinds of complexions. There's a strong evangelical Christian movement and great interest in the Rapture, as evidenced by Tim Lahaye's Left Behind series of books which have sold tens of millions. Hal Lindsey's earlier predictions identified the European Union as the 'seven-headed beast with ten horns' cited in the Book of Revelation.

These three worrying aspects of humanity are the setting for The Crucible. When I first started bouncing around early chapters of the book I had some interesting reader feedback:

'The idea of an insanely evangelicized America is ludicrous.'

'AIDS isn't a conspiracy.'

'Love, sex, murder, romance; James Bond meets Tom Clancy.'

I've used the background described in this post as the setting for an action adventure novel. Take a look, see what you think and let me know. Am I cruising for a bruising from our evangelical brethren? Is Iran going to level a fatwah and I'll have to take refuge at the bottom of Bono's garden like Salman Rushdie did? I think the aspirations of Europe are far more worrying. But it's just fiction. Or is it?

Southern Cameroon, West Africa 1936
A virus mutated and crossed the barrier from primate to human. In less than a century it had claimed the lives of twenty-five million people. Africa, a land of natural beauty and riches, ripe for plunder, full of dark menace.

Read more of The Crucible ...

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Saturday, 10 December 2011

Hot and sweaty!

The Poisonwood Bible by Barbara Kingsolver

My rating: 5 of 5 stars

I very much enjoyed this book. It's quite an epic and five different first person narrators really bring the story to life. All my senses were constantly addressed with the headiness of the Congo.

When I reached the end of the family's time at the mission I was looking for the story to end, and felt dismayed that there were over a hundred pages still to go. Looking back now, I appreciate the full denouement that the author has provided.

Kingsolver's method of using the different female voices to tell the story is perfectly applied. We're able to understand the differing perspectives of the mother and the daughters. No doubt Kingsolver considered giving us the voice of the father, but he really isn't meant to be understood.

This book will have you counting your lucky stars that you live in comfort and re-opens a can of worms concerning the involvement of Europe and the USA in Africa.

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Friday, 30 September 2011

It's such a great read, I have to share my thoughts.

Half of a Yellow Sun by Chimamanda Ngozi Adichie

My rating: 5 of 5 stars


It's taken me a few days to emerge from the world of Half of a Yellow Sun by Chimamanda Ngozi Adichie. I totally understand why this book is a prize winner.

Post-colonial Africa holds a morbid fascination for me. There are several excellent non-fiction books that describe the inexorable slide of newly independent nations into despotism and chaos. Crises of the day are tattooed into our memories by media coverage, be that accurate or otherwise, but we are often left ignorant of the post-colonial devastation of Africa. Apart from the association of a country called Biafra with acute starvation, I had little memory of Nigeria's independence or Biafra's secession. I was too young (not often that I can say that these days). Genocide was a word that I associated with other places, other times. That was until I read this book. It’s such a powerful piece of writing that I feel I’ve lived through it.

Adichie’s alternating third-person viewpoint lets the reader into the strongly differing characters of Ugwu, Olanna and Richard. Kainene is something of an enigma as we never read from her viewpoint and that suits her character very well.

Ugwu brings his latent intelligence out of the humble village and grows in the relative splendour of Odenigbo’s home. He experiences lust, envy, loyalty and self-loathing as he travels through the story. A boy with a strong moral code, he does commit offences as do all the characters, but his ethics are perhaps the purest.

Richard is self-obsessed, insipid and weak-willed. He’s doomed to always be ineffectual and peripheral. The world goes mad around him as he indulges in the delusion of being an author. It takes a great deal of life tragedy for him to find backbone. Like a fly on the wall, the corruption, murder and starvation pass him by, personally, but he observes everything up close, uncomfortably so.

Olanna gently rejects the opulence of her parents’ corrupt lifestyle and opts for a more altruistic existence with the academic idealist Odenigbo. The small sacrifices that she makes snowball into a cataclysm of starvation as the country tears itself in two and then suffers forcible reunification. Her relationship with Odenigbo mirrors the fate of their homeland.

Kainene is the strongest of them all. As the others lurch from crisis to infidelity, she is the stalwart. Protected from the emotive events by a social awkwardness, she provides a focused ending to the book.

These characters are so real that I could swear I’ve met them. They’re fallible, admirable, alluring and frustrating. Each comes into their own at different times in the story.

The settings tickled my senses. Privileged Nigerian society led me into a web of decadent iniquity. I wandered through the Nigerian gardens, sniffing their blooms, tasted Ugwu’s pepper soup, and indulged in drunken intellectual rants of an evening.

During the food shortages I found myself running to the cupboard and digging out tinned goods that had been at the back of the shelf for ages. I opened a can of mystery meat and enjoyed my corned beef and mustard sandwich with the savour of someone who has been close to starvation for three years. Or was it one hundred pages? I ran a very tight kitchen for that phase of the book.

In addition to brilliant characterisation and aromatic settings, this book also deals excellently with many tricky themes such as the apparent futility of intellectual altruism, mankind’s inherent capacity for cruelty, and racism within racism (black, white, tribal).

Adichie conveys all of this with a seamless power of observation, imparting a storm of emotion and a litany of events without the reader feeling that a story has been told. This is a story that lives.

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